Creative Process in the Design and Creation of
Textile Manufacture

Sandra Helena da Siva de Santis

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ISSN: 2637-4595

Latest Trends in Textile and Fashion Designing

Editorial(ISSN: 2637-4595)

Creative Process in the Design and Creation of Textile Manufacture Volume 1 - Issue 2

Sandra Helena da Siva de Santis*

University São Paulo, Brazil

Received: January 19, 2018; Published: January 24, 2018

*Corresponding author: Sandra Helena da Siva de Santis, University São Paulo, Brazil

DOI: 10.32474/LTTFD.2018.01.000109

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Introduction

Creative process

Man has his creative manifestations through his individual aspirations, thoughts and idealization. The need is a motivating factor that drives the search for knowledge, problem solving and satisfaction, Santis [1]. For Lobach [2] "The conduct of the human being is also driven by multiple and varied needs. The emergence of needs is not always logical, especially when other activities or processes have occasional preference. "Necessity seeks satisfaction; aspiration is the spontaneous will to obtain something that comes from idea or visualization. The aspiration consists in the desire to obtain something that can be reached or not. Needs and aspirations accompany the evolution of technology, information tools and economic development. Lobach [2] states that design consists of a systematized design, plan or method that includes problem solving incorporating ideas, innovation, sketching, samples, models to make concrete the solution found.

Over the centuries, the needs in its evolution have been accompanied by the development of instruments, methods and systems. The constant evolution through research and events show that innovative creativity has played a key role. The development of the human creative process has also been marked by various frustrations, problems in creativity and with innovation; these problems are constantly reported by various scholars. Several researchers and researchers [2] have already been affected by creative inertia, difficulty in exposing ideas, fears, and lack of innovation or even problems that seemed unsolvable. Even so, the creative process has become an important tool for resource development. And the stimulation and organization of the creative process is being studied in theories, techniques and tools such as: Design Thinking, Design Methodology, and Inventive Problem Solving Theory. These are applied for the development of textile products.

Product Development

Ostrower [3] states that the ability to understand, assimilate, configure, and signify is the creative act. Creating is a way of establishing a new relationship between the human mind and the object in order to understand meaning or to redefine (giving a new meaning, a new practice, the ability to perceive an object through a different vision). Already the creative process derives from the structuring of cognition (knowledge of facts), intelligence (human characteristic composed of logical thinking, communication, knowledge, sensibility, problem solving, emotional control, etc.), creation ability (giving meaning to something or something) and innovation (creating something unknown). To meet the new type of consumer coming from social and communication changes, manufacturers seek to align existing needs with functionality and aesthetics by creating values that can be applied to technological fabrics.

Barbará [4] calls the process a set of ordered and integrated actions for a specific productive purpose that at the end of the cycle generate products, services or information. In the process of manufacturing with synthetic fibers began the decade of 30, the developed fibers become part of the manufacture of fabrics and clothing. To give a small notion of what we call fiber, I find it interesting to contextualize the historical beginning, recalling some important facts. In this sense, the textile manufacturing manufacture uses the fibers to compose the yarn, and the woven yarn becomes fabric and various stamping and dyeing techniques. The textile production manufacture is divided into three cores: the yarn manufacturing, the fabric manufacture and the confection. According to Sanches [5] the fiber consists of the smallest element of the composition of the fabric in any natural or manufactured substance that has suitable characteristics that allow its processing. Being, the smallest component of hairy nature, which can be extracted or separated from a tissue.

In wire manufacturing, the breeding process establishes the mixing of the materials for processing. The processing consists of a rational part that modifies the form of a structure or system for the construction of a mixture, an irrational part that is compounded by bringing together psychological, emotional, innovative, creative and personal aspects. This means that the transformation depends on the creative aspects to innovate in the fiber blend. The creation procedure promotes finding strategies that encourage the production of new means of mixing the components, which can motivate, add capacity and add value to the basic and secondary functions of the product or service to generate probabilities of more interactive information in the market, Santis [6]. The set of productive operations or manufacturing should have as main focus of improvement; increase in productivity and also in quality.

On an industrial scale (manufacturing sizing) in the contemporary, the good use of the methodology of the project presents some techniques that promote to encourage the application processes of the project methodology consist of the interaction of tools, resources and manpower converted into energy that perform the connection between procedures and tasks, Santis [1]. The manufacturing of textile the object of study of this research produces knitted fabric, working in the circular knitting industry, among its articles produced we can mention: knitwear for fitness, linings, beach and microfiber. Knitted textile manufactures that also serve as object for this research have a tradition in the Brazilian economy and, considered as one of the great s manufactured in Latin America, consisting of several business units in the country, its most common products made of fabric composed of combinations of polyamide, cotton and elastane (synthetic filament) in circular and straight looms.

Thus, actions constitute a form of processes that are interconnected in a physical or virtual structure, which establishes a set of ordered processes in operations to modify the resources in products. For Agostinho [7]. The fixation of the scripts and manufacturing processes fix the knowledge manufacturing, or how to do it, being considered the pillar of fixation of manufacturing knowledge. Following the scripts and manufacturing processes, it is determined the times required for each operation of the script, consequently of the parts and set of parts that make up the product [8-52].

Finally, the manufacturing and creative processes interrelate in a chain of interdependent functions, considering (external environment) and dependent variables (internal environment). This functional interrelationship facilitates the systematization of the production of goods and services. Each function has a sequential operation flow for the development of an operation from the inflow of resources to the exit of the goods or services. The set of actions in the creative process developed by a sequence of operations establishes the construction of a product, whether it is a consumer good or a service and this facilitates innovation in creative development.

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